Creating and editing keyboard styles

Styles are the automatic accompaniments on digital keyboards from Yamaha, Roland, Korg and other manufacturers. They can create the sound of a backup group, turning a simple melody into a performance piece. Style files in Yamaha format are the most common. Thousands of styles in every genre are available for download on the Internet.

The content of standard Yamaha-format style files is poorly documented, cumbersome and arcane. One consequence is that the same styles may appear in individual versions for specific keyboards, leading to considerable redundancy. Another problem is that styles for high-end keyboards like Tyros may be sandbagged with hidden information giving a poor sound on ordinary keyboards.

We have taken two steps to make style files an open, standardized medium of information exchange. The first is the creation of the PureStyle format described in this reference. With the elimination of unnecessary information, PureStyle files contain only MIDI messages that follow simple organization rules. The styles are compatible with all Yamaha keyboards and performance software like the Accompaniment Machine. Extensive libraries of PureStyle files are available on our site.

The second step is the addition of new features to our Style Master program. With the software, you can now edit or create Yamaha-format styles using any MIDI editor or digital workstation. The problem we addressed is that most MIDI editors cannot directly edit styles. They make changes to the structure of the file and do not preserve the correct order of marker messages used to identify style sections. For example, many editors divide MIDI channels (instruments) into individual tracks when loading and save files in Type 1 format. Style Master uses the following solution:

  • On export, the program saves each section (e.g., MainA, EndingB,…) of the currently-loaded style as an individual standard MIDI file in a working directory.
  • On import, Style Customizer searches the working directory for section files, converts them to Type 0 format and then loads them in correct order, adding marker messages as needed. The resulting data may then be saved in PureStyle format using any of the filters available in Style Master .

The conversion of a style into an organized set of MIDI files has additional applications. For example, style sections may be imported into sequencers. Section 6 of the Style Master instruction manual gives a complete description of the capability.


Comments are closed.